The Main Character: One of a Kind

There is only one Main Character in a story. Why is this? Because each complete story is a model of the Story Mind that reflects our own minds, and in our minds we can only be one person at a time. At any given moment, we have a position in our own thoughts. Our state of mind on a particular problem reflects the biases of the position on which we stand. If a story is to involve an audience fully, it must reflect this point of view.

What Is the Story Mind?

Dramatica is built on the idea that the structure and dynamics of a story are not random, but represent an analogy to a single human mind dealing with a problem. We call this idea the Story Mind. A Story Mind is not a character, the author, or even the audience, but the story itself. It's as if the audience's experience of a complete story were like looking inside someone's head. Every act and scene, the thematic progression and message, the climax, plus all the characters and all they do represent the parts and functions (or thoughts if you will) of the Story Mind.

A complete story successfully argues all possible sides of its message, thus it will address all the possible human perspectives on that specific issue. That is how the structure and dynamics of a single story create a single Story Mind. This is also why characters are common elements in all stories, along with theme, plot, acts and scenes. Each of these represent the way in which essential human psychology is recreated in stories so we can view our own thought processes more objectively from the outside looking in.

Now before we go on, we'll note that there can be many Main Characters in a completed work, but there will be only one Main Character in a completed story. This is because a work is the finished product an author puts before an audience. It may contain a single story, several stories, or several partial and complete stories all woven together or at least nestled in the same fabric of storytelling. This means that a book or a movie, a stage play or teleplay, may have no Main Character at all, or it may have many. But for any single story in that work, there will be only one Main Character. [NOTE: It is permissible to have several players act as one Main Character. For this to work, each of the players must represent the same worldview, the same view of the story's inequity.]

A Grand Argument Story does not allow the audience to stand in the shoes of every character, every Element, and see what the story looks like from there. Such a work would simply be too big to handle. Rather, the purpose of a Grand Argument Story is to discover if the Main Character is looking at the problem from the right place, or if he should change his bias and adopt another point of view instead.